Old Postcards: Small Windows into County Life

By Dean B. Settle
Dec. 18, 2025

In middle America, where I live, postcards were once a simple and expected courtesy. When families traveled—whether for a long vacation or just a Sunday drive—someone would pick one up, write a short note, add a stamp, and drop it in the mail. It was a small gesture, but it carried weight. It said, we thought of you while we were away.

Many of those postcards featured county courthouses. They came from towns we stayed in, towns we passed through, or towns we stopped in just long enough for lunch and gas. The era runs roughly from the end of World War II through the 1970s, when postage was cheap, and postcards were easy to find—stacked on spinning racks at gas stations or sitting near the register at the Rexall Drug on Main Street.

Most of these cards followed a familiar formula. A wide view of Main Street. Brick storefronts lined up shoulder to shoulder. Cars angled along the curb. And almost without exception, rising above it all, the courthouse. Sometimes centered, sometimes just off to one side, but always present. The visual anchor of the town.

These were nineteenth-century buildings, and they were meant to impress. Tall, solid, and ornate, they spoke of permanence and civic pride. In many towns, the courthouse was the largest and most important structure for miles. It wasn’t just a place where legal matters were handled—it was where the community gathered.

The first floor nearly always included an assembly room and public restrooms. That mattered more than we might realize today. This was before gymnasiums, before modern city halls, before large fellowship halls in churches. The courthouse filled that role. Political speeches were delivered there. Elections were held there. School programs took place there. Quilting parties, 4-H meetings, Farm Bureau gatherings, union meetings, and newly forming churches all used the space. The county choir sang there. The Extension Service trained farmers and ranchers there. Even organizations we would rather forget, like the Klan, once met under those same roofs.

Whatever its use, the courthouse was the place where people came together. It was the shared space in a time when shared space mattered.

The postcards themselves were produced by national companies, and they sold briskly. Towns were proud of what they had. The courthouse square was center stage, and life unfolded around it. Parades passed in front of the steps. Marching bands lined up on the sidewalks. Beauty contest winners waved from convertibles. Soldiers marched off to war and later returned home. Circus parades rolled through town. Local baseball teams posed for photos. Politicians shook hands. Occasionally, a movie star who had grown up nearby came back for a visit.

Some photographer—often anonymous now—stood in the right place on the right day and captured it all. Those images were printed by the thousands and mailed across the country, carrying a small piece of local pride to distant friends and relatives.

Today, some of the courthouses on those cards are gone. Razing replaced restoration, and modern buildings took the place of what were once called palaces on the plains. Others still stand, weathered but dignified, holding their place at the center of town even as the world around them changes.

For many families, these postcards resurface late in life. They appear while closing out a parent’s home, tucked into drawers or boxes, saved carefully by someone who understood their value. My mother was like that. She bought them, wrote them, saved them. Now we face the question of what to do with them.

Some may stay with family. Some might find a home with a local historical society. Some will end up in antique shops or auction boxes. However they’re handled, they deserve a pause before they’re passed along.

Old postcards are more than souvenirs. They are small windows into how communities once worked, how they gathered, and what they valued. They remind us that these buildings were not just backdrops—they were participants in daily life.

They are quiet artifacts of a slower time, when a short note and a postage stamp were enough to keep people connected. And in their own way, they still do.

—Dean Settle

This book explores Nebraska county courthouses as more than buildings—they are living symbols of justice, resilience, and local identity.

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